Ytaker wrote:If he removes one of the characters, no more moments like that. He'd have to have something pretty big to fill the gap. I doubt he does. Good characters are rare.
Charlie and Jack are really the only especially good characters.
GobwinPie wrote:Ytaker wrote:If he removes one of the characters, no more moments like that. He'd have to have something pretty big to fill the gap. I doubt he does. Good characters are rare.
Jack is one of my favorite characters too, but that's the result of good writing. Jack doesn't exist except as a product of the authors' minds, and if he is killed then someone else great may spring from that same well. I don't really buy the notion that an author that has created a few good characters is unlikely to have more within them.
GobwinPie wrote:I'm fond of both characters, but I vehemently disagree with your characterization of the others which you don't like. ... but my rebuttals grew too long, so I snipped it. (Let's just say that I like almost all of those characters.)
I have noticed though that the only two characters you like are the remaining enigmatic ones. Will you like them much when their stories are fully revealed? If not, then they have a shelf-life, and you're going to need to trust a little more in the authors' ability to present future characters with interesting backgrounds of this comic has one too.
suryasm wrote:I'm new so I'm asking, has anyone mentioned that Jack's outfit in Book 2 is remarkably similar to the outfit worn by Jack Nicholson's Joker in the first Batman movie? The only real point of departure is the cueball cane. Or am I just seeing things?
Ytaker wrote:DevilDan wrote:Wanda can get as many casters as she wants into MK. But I doubt archons could survive the portal.
They had wands, and they were standing at Gobwin Knob's portal. I doubt they were random people. Not all casters carry wands, as we've seen. And yeah, they seemed to be doing hippie meditation.
suryasm wrote:I'm new so I'm asking, has anyone mentioned that Jack's outfit in Book 2 is remarkably similar to the outfit worn by Jack Nicholson's Joker in the first Batman movie? The only real point of departure is the cueball cane. Or am I just seeing things?


Dr Quest DFA wrote:A thought that occurred to me reading one of the other comments was that maybe they will need to use the dwagon express to send Jack back and it gets waylaid by Jillian (camping out along one of the expected paths). That would make for good tension and plot development as well as play into the title of this book (Love is a Battlefield).

ftl wrote:Dr Quest DFA wrote:A thought that occurred to me reading one of the other comments was that maybe they will need to use the dwagon express to send Jack back and it gets waylaid by Jillian (camping out along one of the expected paths). That would make for good tension and plot development as well as play into the title of this book (Love is a Battlefield).
Wow, nice. Quite possible. I can't believe this hasn't suggested earlier.
Spot wrote:Well, to me, the whole horror aspect of movies like Invasion of the Body Snatchers was that people were being robbed of their free will or robbed of their "agency", and turned into mindless drones who followed pre-programmed centralized directives.
What I've observed, is that when people use the term "pod person" (a cultural meme that *began* as an obvious reference to Invasion of the Body Snatchers, but which now exists on its own), they (a) mean it in a derogatory sense, and (b) are referring not specifically to situations that exactly mirror
a 50-year-old book and movie (or it's 30-year-old remake), but more generally to situations in which someone loses their "agency" or loses their ability to exercise free will.
So... for someone to *lose* their agency and free will, one has to have actually have had free will in the first place.
Ansom, both pre-decrypt and post-decrypt operated largely as an automaton, with pre-determined instructions input on one end, then filtered through a simplistic black-and-white arbitrary worldview in the middle, and outputs shown through his zealot-like behavior... with no serious introspection, self-examination, or free anything ever having actually occurred in his behavior.
In other words, the only difference between Ansom and 90% of the people that you'll encounter tomorrow in real life, is that Ansom has zero upkeep.
Isn't that a major theme of the comic we're reading?

Ytaker wrote:robak wrote:And which of those is bad writing?
It's not so much bad writing as, destruction of resources...
Django wrote:You read a different Book 1, didn't you?
Ansom had many small instances of lets call it character development in Book 1, such as when he sends the ground troops after Jilian out of worry or when he orders "the Hunt".
Perhaps you are falling into the trap of war, that in order to think as someone as your enemy you have to dehumanise them. It is easier to kill someone or even wish them dead if you think they are not human. However Book 1 did not fall into this trap. Both sides are very human and that is one of the great achievements of the author.
Sometimes killing off characters we like is a positive thing. Bogroll's death is noble, and catalyzes Parson's distaste for actual war. Ah, but Jack is much more complex and interesting than Bogroll, you say. True. And thus his death could lead to much more complex and interesting storylines. Take George R.R. Martin's Song of Ice and Fire. He kills and maims major, likable characters left and right. It's often shocking, but it keeps the story interesting, and the deaths are usually necessary to open up storylines for other characters.
DevilDan wrote:Except, why would they possibly want Jack? He may be good, but there're probably at least a few foolamancers of his level or higher.

DevilDan wrote:Except, why would they possibly want Jack? He may be good, but there're probably at least a few foolamancers of his level or higher.


DevilDan wrote:
I'm not even going to argue that you're assuming a lot about wands. I don't feel like linking to the page where it's mentioned that the portals are being guarded as a result of Parson's intrusion. Even ignoring those two important points, I could still plead that the sample is self-selecting: those who had wands or staffs would be the ones taking aim at Parson. Presumably a caster who, for whatever reason, couldn't threaten Parson would not have been, well, threatening Parson.
Django wrote:You read a different Book 1, didn't you?
Ansom had many small instances of lets call it character development in Book 1, such as when he sends the ground troops after Jilian out of worry or when he orders "the Hunt".
Perhaps you are falling into the trap of war, that in order to think as someone as your enemy you have to dehumanise them. It is easier to kill someone or even wish them dead if you think they are not human. However Book 1 did not fall into this trap. Both sides are very human and that is one of the great achievements of the author.



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